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Hatchet for the Honeymoon

Description:
John Harrington (Stephen Forsyth) is a successful, handsome, somewhat vain young man who runs a fashion studio. He's also, unfortunately, quite insane. Driven by an overpowering Oedipus complex and the recurring image of his dead wife, Harrington has a compulsion to kill women after dressing them in bridal gowns. With each murder, the root cause of his psychosis is a little closer to being fully revealed, until a long-repressed memory finally comes clear. As with many movies of the giallo genre, Bava's film is somewhat short on plot and long on style. The director's questions about a shifting surface of reality come up again and again; Harrington's obsession with fashion and his own primping can be taken as metaphors for that issue. The narrative is reeled off in a somewhat offhand manner, though, and Harrington, though tragic, is not a character with whom the audience can sympathize. The film's long suit, however, is style, and Bava's trademarks are present throughout: red- and blue-lit sets, zoom shots, gauzy flashbacks, inventive camera work and compositions. Bear with the movie's story pretensions and sluggish pace, and you'll find a giallo that, while it doesn't rank with the best of Mario Bava, still has interesting points to recommend it. --Jerry RenshawJohn Harrington (Stephen Forsyth) is a successful, handsome, somewhat vain young man who runs a fashion studio. He's also, unfortunately, quite insane. Driven by an overpowering Oedipus complex and the recurring image of his dead wife, Harrington has a compulsion to kill women after dressing them in bridal gowns. With each murder, the root cause of his psychosis is a little closer to being fully revealed, until a long-repressed memory finally comes clear. As with many movies of the giallo genre, Bava's film is somewhat short on plot and long on style. The director's questions about a shifting surface of reality come up again and again; Harrington's obsession with fashion and his own primping can be taken as metaphors for that issue. The narrative is reeled off in a somewhat offhand manner, though, and Harrington, though tragic, is not a character with whom the audience can sympathize. The film's long suit, however, is style, and Bava's trademarks are present throughout: red- and blue-lit sets, zoom shots, gauzy flashbacks, inventive camera work and compositions. Bear with the movie's story pretensions and sluggish pace, and you'll find a giallo that, while it doesn't rank with the best of Mario Bava, still has interesting points to recommend it. --Jerry Renshaw

Rated:  Unrated

DVD Release Date:  2002-04-16

Film Release Date:  1974

Studio:  Alpha Video

Director:

• Mario Bava

Genre:  Mystery & Suspense