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Bad Boys (1995)/Blue Streak

Description:
Bad Boys
A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane

Blue Streak
Martin Lawrence can certainly talk a blue streak (witness his concert film, You So Crazy), but he tones it down to PG-13 for this by-the-book action comedy. Lawrence stars as Logan, a bank robber and jewel thief (nice role model we're supposed to cheer for) who, just before he is arrested, manages to stash the $20 million diamond he has just heisted at a construction site. When he is released from prison two years later, he returns to the scene of the crime only to find that the completed building houses a police station. To get inside and retrieve the precious gem he secures a fake ID and passes himself off as LAPD's newest, and most unorthodox, detective. As he demonstrated on his TV series, Lawrence has a knack for characterization second to Eddie Murphy. But he's no Beverly Hills Cop. Indulgent sequences where Martin has seemingly been given free reign to ad-lib are the film's weakest. Early on, Logan cases the police station outlandishly disguised as a snaggle-toothed, Geri-curled pizza deliveryman. You'd think the last thing his character would want to do is call attention to himself. Lawrence is at his best in the scenes in which, thanks to all those years of breaking and entering, his formerly lawless character proves to be a natural at cracking burglary cases. Logan is paired with the requisite white partner, Carlson (Luke Wilson), a buttoned-up rookie. Departing from the Lethal Weapon, buddy-movie playbook, they are not antagonists; theirs is more a teacher-mentor relationship. "Don't we need a warrant to do that?" Carlson asks Logan at one point. "We don't even need a key," Logan responds, picking a lock. There is little in Blue that is remotely fresh, but Lawrence fans, who watched him play it straight opposite Murphy in Life, will relish the opportunity to see him get down with his bad self. --Donald LiebensonBad Boys
A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane

Blue Streak
Martin Lawrence can certainly talk a blue streak (witness his concert film, You So Crazy), but he tones it down to PG-13 for this by-the-book action comedy. Lawrence stars as Logan, a bank robber and jewel thief (nice role model we're supposed to cheer for) who, just before he is arrested, manages to stash the $20 million diamond he has just heisted at a construction site. When he is released from prison two years later, he returns to the scene of the crime only to find that the completed building houses a police station. To get inside and retrieve the precious gem he secures a fake ID and passes himself off as LAPD's newest, and most unorthodox, detective. As he demonstrated on his TV series, Lawrence has a knack for characterization second to Eddie Murphy. But he's no Beverly Hills Cop. Indulgent sequences where Martin has seemingly been given free reign to ad-lib are the film's weakest. Early on, Logan cases the police station outlandishly disguised as a snaggle-toothed, Geri-curled pizza deliveryman. You'd think the last thing his character would want to do is call attention to himself. Lawrence is at his best in the scenes in which, thanks to all those years of breaking and entering, his formerly lawless character proves to be a natural at cracking burglary cases. Logan is paired with the requisite white partner, Carlson (Luke Wilson), a buttoned-up rookie. Departing from the Lethal Weapon, buddy-movie playbook, they are not antagonists; theirs is more a teacher-mentor relationship. "Don't we need a warrant to do that?" Carlson asks Logan at one point. "We don't even need a key," Logan responds, picking a lock. There is little in Blue that is remotely fresh, but Lawrence fans, who watched him play it straight opposite Murphy in Life, will relish the opportunity to see him get down with his bad self. --Donald Liebenson

Rated:  PG-13

DVD Release Date:  2000-06-27

Film Release Date:  1999

Studio:  Sony Pictures

Director:

• Les Mayfield

Genre:  Comedy